
While the conflict in Israel and Palestine is a war for dominance, territory, hearts and minds, it is also a war on, and of, the built environment: bulldozing and bombing homes, laying and rerouting roads, checkpoints, the separation wall, and, of course, the settlements.
After the Israeli assault on Gaza that began in December 2008, the Israeli army banned the import of cement. This is particularly pressing since homes, hospitals, schools, water networks cannot be rebuilt.
While some are designing around the ban, developing mud brick architecture and off-grid lighting systems, other activists have flouted the ban sending Gaza cement themselves. And though Israel eased a total ban on construction materials in late July, only 41 truckloads of construction materials were allowed to enter Gaza in 2009. Thousands more are needed.
Last week, on the anniversary of the assault, a group of sixteen human rights and humanitarian organizations accused the international community of betraying the people of Gaza by failing to end the Israeli blockade. Meanwhile, the Western media has not only ignored demonstrations within Israel and without, but even softened the impact of the blockade.
Update 1/6/10: Al Jazeera has another angle on design, the blockade, and the built environment: a write-up of graffiti culture in Gaza. Without access to uncensored news, some activists have turned to graffiti — and were even occasionally sponsored, supplied, and trained by Hamas or Fatah. (via)
Metropolis looks at the state of the Rural Studio, Auburn University’s architecture program where students design and build for the rural poor in Alabama. After the passing of its founder, the program has shifted focus from building flamboyant, one-off structures to designing an affordable housing template and facilitating financing. It’s never been clear to me how much the communities they build for actually participate in the design process, but I like the new direction.
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