war

At Least the Trains Ran on Time

From snopes:

“One of the best ways to gain the support of the people you want to lead is to do something of benefit to them. Failing that, the next best thing is to convince them that you have done something of benefit to them, even though you really haven’t. So it was with Benito Mussolini and the Italian railway system.

Train between Florence and RomeAfter the ‘march on Rome’ (which was itself a myth of fascist propaganda) on 28 October 1922 that resulted in King Vittorio Emanuele’s appointment of Benito Mussolini as prime minister and the accession to power of the fascists in Italy, Mussolini needed to convince the people of Italy that fascism was indeed a system that worked to their benefit. Thus was born the myth of fascist efficiency, with the train as its symbol. The word was spread that Mussolini had turned the dilapidated Italian railway system into one that was the envy of all Europe, featuring trains that were both dependable and punctual. In Mussolini’s Italy, all the trains ran on time.

Well, not quite. The Italian railway system had fallen into a rather sad state during World War I, and it did improve a good deal during the 1920s, but Mussolini was disingenuous in taking credit for the changes: much of the repair work had been performed before Mussolini and the fascists came to power in 1922. More importantly (to the claim at hand), those who actually lived in Italy during the Mussolini era have borne testimony that the Italian railway’s legendary adherence to timetables was far more myth than reality.

The myth of Mussolini’s punctual trains lives on, albeit with a different slant: rather than serving as a fictitious symbol of the benefits of fascism, it is now offered as a sardonic example that something good can result even from the worst of circumstances. As Montagu and Darling wrote:

‘Mussolini may have done many brutal and tyrannical things; he may have destroyed human freedom in Italy; he may have murdered and tortured citizens whose only crime was to oppose Mussolini; but “one had to admit” one thing about the Dictator: he “made the trains run on time.”’”

>  5 October 2003 | LINK | Filed in , ,

Uncle Sam

Uncle Sam: “I Want Out”

From the Committee to Help Unsell the War, 1971.

Download the image above as a 782 x 1024 pixel TIFF (2.3 Mb) from the Library of Congress.

>  1 October 2003 | LINK | Filed in , ,

Posters in Beirut

The Palestinian people do have rights!

From the Association Typographie Internationale conference in Vancouver this weekend, a description of one presentation:

“A strong plurality of visual typographic styles and rhetorical strategies emerged after the war in Beirut. Lebanese are so sensitive now about the ethnic hatred which sparked off the war that they have been reluctant to speak up about it, yet they are tagging the streets of the city with slogans as a means of expression.

In this presentation Yasmine Taan analyses how ‘untrained designers/typographers’ have chosen the appropriate ‘typefaces’ whose diverse styles powerfully reflect the context of their messages, giving voice to the political aspirations of the inhabitants.”


A preface to this can be seen in the images of political posters in the American University of Beirut Jafet Library Poster Collection.

The posters were collected from the 1960s through the 1980s, before and during the war, from their original sources and from the American University of Beirut campus where they were posted. The collection covers two main topics: the Palestinian Question, and Lebanon and the Lebanese Civil War.

A few images are online, organized as follows:

>  28 September 2003 | LINK | Filed in , ,

Mapping the Apocalypse

From the Bulletin of Atomic Scientists, July/August 2001:

A Do-It-Yourself SIOP

“You might think that a senior U.S. senator — let’s say the ranking member of the Senate Intelligence Committee — would be able to get straight answers about the [Single Integrated Operational Plan, or SIOP]. But that wasn’t the case when Sen. Bob Kerrey of Nebraska asked for details about the targeting plan. Congress and the president are tasked by the Constitution with a vital role in determining national security policy, ‘but how can we provide the policy guidance that is needed,’ the former senator asked last October in a letter to then-Defense Secretary William Cohen, ‘if we are not given the information we need to decide if our current course of action is the correct one?’

Specifically, Kerrey wanted a peek at the SIOP, which directs how U.S. nuclear forces will be used in any number of crises. One might assume it includes targets, population figures, force numbers, weapon specs, and so forth. But that would be a guess, since nobody outside a small military circle has seen it.

What started Kerrey and other members of the Senate Democratic Caucus on their quest for information was the Joint Chiefs’ claim that the United States could not realistically reduce its number of nuclear warheads below 2,500. They asked: Why that magical number and not some other number? But their questions went unanswered....

‘Anyone who has been doing research in this area has to look at the war plan, the SIOP,’ said [Natural Resources Defense Council] Senior Staff Analyst Robert S. Norris. At an early point in the project, it dawned on him that the difficulty experts have with discussing lower numbers of nuclear weapons was directly related to the war plan itself. If you have a certain number of targets, the plan has to have a corresponding number of warheads to deal with them.... As the project progressed, Norris said they began to hope that they could use the model to show how a smaller number of nuclear weapons — a much smaller number — could be as effective a deterrent as the more than 10,000 we have today.

But rather than pulling some magic number out of a hat, NRDC ran a series of specific scenarios with their program — three of which are published in their report, ‘The U.S. Nuclear War Plan: A Time for Change’ — which allowed them to generate the pictures and maps that illustrate the outcomes visually.

‘We couldn’t have done this 10 years ago,’ Norris said. ‘Advances in satellite imagery and computers, greater information about Russia in general, and increased access to information have made it possible. We hope people can use this program to reflect more deeply about the SIOP problem, and we want to show how the SIOP prevented progress [in arms reductions] during the Clinton administration. Our goal is to change the circumstances that will allow us to live in a safer world.’...

In the earliest days of the Cold War, the United States mainly targeted large cities. But as the number of missiles grew, it eventually had enough warheads to target individual Soviet weapons and bases, and military targeteers took the position that a strategy targeting weapons and not people — counterforce — was more ‘moral.’

Fallout pattern over the Kozelsk missile field to the west of MoscowJust one problem. If you lob enough nukes to take out the Kozelsk missile fields more than 200 kilometers west of Moscow (to use one of the examples detailed in the NRDC report), you’re incidentally going to kill millions of people. So while counterforce doesn’t target people, per se, millions of civilians are still at risk.

‘After we did our analysis,’ Cochran said, ‘it raised some interesting issues about countervalue versus counterforce. For example, if you can hold at risk one-third of Russia’s population with a single submarine, you can go to very deep reductions without feeling naked in the absence of your deterrent capability.’

So when talking about the morality of any nuclear targeting strategy one thing quickly becomes clear: It’s all horrific. NRDC takes the extra step of presenting these scenarios graphically so the public, and not just experts, can understand the results....

According to Bruce Blair, while there are many models of strategic nuclear exchanges, they don’t take the step that the NRDC model has taken to provide graphic representations of targets and the consequences of an attack that you can appreciate visually. By putting a human face onto an abstraction, NRDC’s model helps people ‘understand the war plan and its consequences. Then they can decide for themselves if it represents proof of certain views,’ he said. ‘It is an important advance in both our ability to grasp the war plan and its consequences, because it converts abstraction into graphic consequences. And that’s very important, just to be able to see all those red dots on the map.’

Most strategic exchange models produce only numbers, not maps and graphic representations, Blair explained. The NRDC model ‘is the first one that’s in circulation in the arms control community that does this. It’s a flexible model that allows us to jigger the assumptions and test our hunches about alternative war plans.’

The impact on policy-makers could be profound, he noted. To see the plan unfold and the casualty numbers mount using a reliable model could give people a fuller grasp of the issue.

And armed with this kind of knowledge, Blair says, policy-makers could start demanding to learn more about the actual war plan, ‘to expose it to the light of day, at least within the vaults of Congress,’ and to push for reform and reduction....

For example, one of the striking calculations that Senator Kerrey noticed when he saw a demonstration of the NRDC program was the number of casualties that can be caused by a single Trident submarine firing its load at a Russian civilian population. Even though this is no longer how the United States targets its missiles, he could see that if the object was to kill people, one Trident submarine could kill more than 40 million. ‘That’s a striking result,’ Blair said. ‘And then you can pursue other variations that are interesting questions. It’s just a very practical, convenient, expedient tool — one that is as refined as it needs to be — to expose the many facets of nuclear targeting. It just reveals information, and there’s no real counter to it. There’s no antidote to the truth.’

Simulated attack on Russian cities west of the Urals uses 192 W88 warheads — the load aboard a single Trident II submarineJanne Nolan hopes that the NRDC model will also be used by journalists, who often find the intricacies of nuclear targeting beyond their scope. She points out that if you look at the period of time spanning START I and START II, military planners have gone from an ‘absolute’ requirement for 6,700 weapons down to 4,500, then to 3,500, and now 2,500. ‘And very few reporters ask where these numbers come from and what they mean,’ she said. ‘The assumptions that guide the calculations of how many weapons you need on target haven’t been subject to any systematic policy oversight for decades.’...

Cochran believes the interactivity of their model will distinguish their project from the many other policy projects out there. He also believes that if they can replicate closely what Stratcom is doing, people will pay attention. ‘There’s a zillion people putting out policy papers that just stack up on your bookshelf,’ he says. Early on, NRDC established credibility in the arms control community by publishing its series of Nuclear Weapons Databooks, which detailed force numbers in way that had never before been revealed. ‘Until you pry open the secrecy it can be very hard to prevail in these arms control debates. This is the last big secret. We want to expose Stratcom’s calculations and numbers so the public and Congress can understand the war plan and its implications.’

They also hope their work will force the government and arms controllers to defend their numbers, so that if someone says the United States needs 1,000 warheads, they’re forced to back it up, especially when talking about a modern-day Russia that has seen a sharp decline in its military infrastructure. For example, Cochran asked, ‘Why do we still have to take out a war industry when it’s collapsed of its own accord?...’

In the end, Cochran wants the United States to treat Russia just like any other country and eliminate the day-to-day SIOP operations that keep U.S. missiles poised for a nuclear first strike. ‘We’re saying take a grand leap to get out of this counterforce mode — even in the interim — and see if the other side matches.’”

>  24 September 2003 | LINK | Filed in , ,

Captions, Television and its Double

The year 1960 marks a turning point in the history of technology and politics. The Kennedy-Nixon presidential debate was the first to be broadcast live on television. Kennedy’s telegenic composure and appeal is credited with tipping the vote in his favor. In 1960 ninety percent of U.S. households owned a television. For the first time, Americans in 1963 say that they get more of their news from television than newspapers. Television becomes an increasingly important source of information and enormous cultural force in the United States marking the assassination of President Kennedy, the rise of the Beatles, landing a man on the moon and returning him safely to Earth, I Love Lucy, Sesame Street, the Olympics, news of the war in Viet Nam, the Watergate hearings, the Watts riot, Star Trek, and the mini-series Roots. [source]

However, it would be at least another decade before millions of deaf and hard-of-hearing Americans could begin to participate.


From the National Captioning Institute:

Closed Captioned“The first innovators were not thinking about a captioning system for deaf and hard-of-hearing people. In 1970 the [U.S.] National Bureau of Standards began to investigate the possibility of using a portion of the network television signal to send precise time information on a nationwide basis. The Bureau believed that it could send digitally encoded information in a part of the television signal that is not used for picture information. The ABC-TV network agreed to cooperate. This project didn’t work, but ABC suggested that it might be possible to send captions instead.

This led to a preview of captioning at the First National Conference on Television for the Hearing Impaired in Nashville, Tennessee, in 1971. Two possible technologies for captioning television programs were demonstrated that would display the captions only on specially equipped sets for deaf and hard-of-hearing viewers.

A second demonstration of closed captioning was held at Gallaudet College on February 15, 1972. ABC and the National Bureau of Standards presented closed captions embedded within the normal broadcast of Mod Squad.

As a result of the enthusiasm these demonstrations created in the deaf and hard-of-hearing community, the National Association of Broadcasters studied the technical and economic factors involved in establishing a captioning service. The Association concluded that this captioning system was technically possible, but certain steps had to be taken before it could become a reality. The federal government then said it would fund the development and testing of this system. The engineering department of the Public Broadcasting System started to work on the project in 1973 under contract to the Bureau of Education for the Handicapped of the Department of Health, Education and Welfare (HEW).

While the closed-captioning service was being developed, there were some programs with ‘open’ captions airing on PBS. In 1971, The French Chef became the very first television program that was accessible to deaf and hard-of-hearing viewers. The ABC News was rebroadcast on PBS five hours after its broadcast on ABC-TV. From the time the captioned ABC News was first produced in 1973, it was the only timely newscast accessible to deaf and hard-of-hearing people until NCI’s real-time captioning service started in 1982....

Toward the end of the technical development project at PBS, it became clear that in order to get the cooperation of the commercial television networks, it would be necessary to establish a nonprofit, single-purpose organization to perform this captioning. And so in 1979, HEW announced the creation of the National Captioning Institute. The mission and importance of NCI was clear from the beginning. It was to promote and provide access to television programs for the deaf and hard-of-hearing community through the technology of closed captioning.

On March 16, 1980, NCI broadcast the first, closed-captioned television series. The captions were seen in households that had the first generation of closed caption decoder.

A silence had been broken. For the first time ever, deaf people across America could turn on their television sets — with a caption decoder — and finally understand what they had been missing on television.

The closed-captioned television service was an overnight sensation. Suddenly, thousands of people who had been living in a world of silence could enjoy television programs along with hearing people....

NCI ensured a bright future for closed-captioned television by partnering with ITT Corporation in 1989 to develop the first caption-decoding microchip, which could be built directly into new television sets at the manufacturing stage. This led to the introduction and subsequent passage of the Television Decoder Circuitry Act, which mandated that, by mid-1993, all new television sets 13 inches or larger manufactured for sale in the U.S. must contain caption-decoding technology. Now, millions of people have access to captions with the push of a button on their remote controls.”

From a more recent Captioning FAQ:

“On August 7, 1997, the FCC unanimously approved new regulations which will mandate captioning on virtually all television programming in the United States. Section 305 of the Telecommunication Act of 1996 is being implemented as a new section (Section 713) of the existing Communications Act. On September 17, 1998, the FCC modified their rules, in what can be considered a victory for caption viewers. The ruling took effect on January 1st, 1998, and it phases in requirements separately for ‘old’ and ‘new’ programming.”


Though numerous studies have shown that mixed-case text is easier to read than all uppercase, virtually all captioning in North America is done in uppercase only. The resolution of NCSA television and caption decoders generally results in ugly and illegible lowercase letters.

“[However,] mixed-case text is often used to indicate whispering, and is also often used for text that needs to be set apart, such as comments by an off-screen announcer (voice-over), or sound effects.

Caption decoders and televisions were not required by law to support lowercase letters at all until just a few years ago. There are, therefore, some televisions that will change mixed-case text to all uppercase.” [source]


Now, with the introduction of digital television, the design of the typeface for subtitling is no longer constrained by the technology of analog television.

This new digital environment provides for larger screens, higher screen resolutions, enhanced closed captions, and higher transmission data rates for closed-captioning.

TiresiasEnter Tiresias Screenfont, a typeface for television subtitling designed for maximum legibility. Development of the typeface included extensive user testing with viewers that had a wide range of visual abilities and viewing habits.

The Tiresias Screenfont was originally designed by a team led by Dr. John Gill, Chief Scientist for the Royal National Institute for the Blind.

“The typeface Tiresias Screenfont was originally designed for subtitling on UK digital television in 1998.... It has been specifically designed for screen display and has been adopted by the UK Digital Television Group as the resident font for interactive television. Screenfont is now being adopted for European digital television. Its use is also being considered in the USA.

Tiresias Screenfont has been designed to have characters that are easy to distinguish from each other. The design was carried out, with specific reference to persons with visual impairments, on the philosophy that good design for visually impaired persons is good design for everybody.”


Both font and philosophy have been taken from the television screen and applied to the public terminal, the built environment, and the printed page.

Other variations of Tiresias Screenfont have since been designed, each optimized for a specific purpose:

Tiresias PCfont is a typeface designed to display clearly on screen based systems, such the information displayed on TV monitors on public transport, at airports, railways or ferry terminals. Building societies and banks use screens to display information on cash dispensers. Many governments are now introducing screen-based public information systems in libraries and government offices. Tiresias PCfont makes these services and facilities more accessible.

Tiresias Infofont is designed to improve the legibility of information labels on public access terminals, ticket machines, telephone booths. The characters and letterforms have been designed to provide maximum legibility at a reading distance of around 30 to 100 cm. Infofont is not designed for large quantities of text.

Tiresias Signfont is for fixed (not internally illuminated) signage. The recommended usage is white or yellow characters on a dark background. Tiresias Signfont has a different level of boldness than Screenfont and PCfont, and has more open spacing than conventional type. Signfont is designed to provide maximum readability at longer distances.

Tiresias LPfont is designed for use in large print publications, and to be more legible than the standard typefaces that are currently in large print publications.

The Tiresias family of fonts are available for sale from Bitstream.


Update October 1, 2003: A couple of hard-of-hearing friends have brought up the petition campaigns that they, their friends, and parents participated in. The text above does understate the grassroots campaign.

>  21 September 2003 | LINK | Filed in , , , , , , ,

Camp Five

From The Miami Herald, August 24, 2003:

Growth at base shows firm stand on military detention

Twenty months after it opened as a short-term solution early in America’s war on terrorism, this much-criticized military detention and interrogation camp is evolving from wire mesh to concrete.

The hastily erected Camp Delta for ‘enemy combatants’ will make a significant leap toward permanence with a previously undisclosed fifth phase that will be hard-sided and take a year to build, The Herald has learned.

Workers are also retrofitting a makeshift courtroom in case some of the 660 detainees from 42 countries, most of them suspected al Qaeda members or Taliban soldiers captured in Afghanistan, are tried before a military commission.

The developments suggest that the Bush administration is literally pouring concrete around its controversial policy of indefinitely holding alleged terrorists and supporters in legal limbo, without prisoner-of-war rights.

‘[This] should exist as long as the global war on terrorism is ongoing if it helps our nation and our allies win,’ said camp commander Maj. Gen. Geoffrey Miller. ‘We are exceptionally good at developing intelligence that will help defeat the scourge of terrorism.’

Many legal scholars and human rights groups continue to argue that the policy unnecessarily bends U.S. law and undermines the stability of the Geneva Conventions when instead the existing legal system could be modified to meet intelligence security needs.

But calls to change the approach seem increasingly moot as workers throw up ever more durable structures, also including dormitory housing for 2,000 soldiers here.

The new ‘Camp Five’ will take three times longer to build than the four existing camps, which are made from wire mesh and metal atop concrete slabs, with chain-link fences and wood towers.

‘It is a hard-sided concrete building,’ Miller said. ‘Unfortunately, we have to ship everything into Guantánamo Bay by sea, and it takes time to get the materials down here.’

NO-BID CONTRACTS

The contractor is Kellogg, Brown & Root, a subsidiary of Vice President Dick Cheney’s former company, Texas-based Halliburton. The watchdog group Taxpayers for Common Sense says the subsidiary received $1.3 billion in government business last year — much of it, like this, without having to enter a bid.

Halliburton referred questions to Navy public affairs officer John Peters, who said via e-mail that Camp Five will have about 24,000 square feet when completed in mid-2004. It was part of a $25 million task order issued June 6.

Miller said it will increase Camp Delta’s detainee capacity by 100, to 1,100, but its main purpose will be ‘an enlargement of our ability to do interrogations’ — now conducted in trailers at the camp’s edge.

Told of the development, Wendy Patten of Human Rights Watch wondered about the implication of an interrogation facility that included cells.

‘It’s interesting they chose to frame it as an interrogation facility,’ Patten said. ‘Does it become the camp to house the people who are the subject of the more intensive interrogations, or whose cooperation they haven’t been able to obtain?’

Patten also said the news of ‘a commitment to a level of permanence we haven’t seen up to now’ likely means that analysis of detainee releases has been wrong. Some commentators have said the military may have decided to draw down the numbers held here.

Sixty-four have been released and four transferred to Saudi Arabia for continued detention, said Maj. John Smith, a military spokesman.

‘FURTHER IN’

Yale Law School professor Harold Koh, who represented Cuban and Haitian migrants at the Guantánamo base in 1994-95, said by phone that the construction means ‘we are just getting further and further in’ to an alternative justice system outside the rule of law and unauthorized by Congress.

‘If everyone thought about where this is leading us, they might have doubts about whether this is where we want to go,’ Koh said. ‘We have set up an offshore prison camp in an extrajudicial zone where people have no rights, and we assume no one is going to follow our lead....’

For example, he noted, Indonesia is now building an island detention camp for alleged rebels.

...

President Bush has named six detainees eligible for trial. None has been charged.

Should the military commission trials go forward, those at Guantánamo would take place in a former control tower once slated for demolition. Its airstrip was left unusably pitted by tents during the last rafter crisis.

Formerly known as ‘the Pink Palace,’ the humble headquarters annex has been repainted yellow in anticipation of intense global scrutiny.

Its windows are blocked, but Smith said the inside has a traditional layout and cherrywood furniture. There has been no order to build an execution chamber, Miller said.

Across the bay, a new media center with 22 Internet ports and two plasma television sets is nearly complete. Smith said that a pool of reporters would be allowed into the commission chamber and that others would watch via closed-circuit TV.

The base can house 174 visiting reporters, diplomats, officials and others in the event of trials. But the numbers may not be swelled much by civilian defense attorneys, who can volunteer to assist the assigned military defense counsel at their own expense.

ATTORNEYS’ CONCERNS

The National Association of Criminal Defense Attorneys has said it would be ‘unethical’ to appear under rules that allow monitoring of attorneys’ conversations with clients and retrials for acquitted defendants.

The American Bar Association has also expressed reservations, singling out a rule that bars civilian lawyers from seeing classified evidence even though they are required to obtain top-secret clearance.

Left unanswered is what will become of those against whom there is insufficient evidence for trial but who may be deemed too dangerous to free.”


See this previous blog entry on Camp Delta.

Found via probelog

>  15 September 2003 | LINK | Filed in , , , ,

Bronx Community Paper Company

In the Internet Archive, the javascript ticker still scrolls “Recycling    Community Improvement    Water Conservation    Job Creation    Economic Development    Brownfield Reclamation,”  beneath the former Web site:

“The Bronx Community Paper Company (BCPC) — a joint project of the Bronx-based Banana Kelly Community Improvement Association and the Natural Resources Defense Council is an innovative effort to harness New York City’s ‘urban forest,’ which includes the 1.2 million tons of paper the city throws out every year, by building a paper de-inking and newsprint production facility in the city....

The end result will achieve several important objectives: creation of hundreds of long-term jobs; reduction of the City of New York’s costs for disposing of wastepaper; revitalization of an abandoned industrial tract in the inner city; and protection of forests....

Throughout the development process, the BCPC kept the public continually informed on the project’s progress. In fact, during the environmental licensing process, the BCPC held over 120 public meetings with members of the South Bronx community, although by law a developer is only required to hold one...

Map showing location of the Harlem River Rail YardWith all legal, political and environmental issues behind them, only two major tasks for the BCPC remain — securing a deal with a paper company to operate the plant, and, of course, building the mill.”

Facilities for the BCPC were to be built on the Harlem River Rail Yard, a brownfield site requiring environmental remediation. The mill was to produce 2,200 jobs during construction and more than 600 permanent full-time jobs during operation.

In 1997, the Department of Energy posted a glowing review of the project as a “sustainable business success story”:

  • The manufacturing facility will be an integrated recycling paper mill, including a wastepaper de-inking plant, a newsprint paper making machine, a wastepaper sorting plant and a steam boiler.
  • The project will advance the market for economically viable recycling of 100% post-consumer, totally chlorine-free paper.
  • The mill will serve as a solid waste alternative for a city recently proposing to build seven large waste incinerators.
  • The paper mill will enable a major paper-making company to use secondary fibers for the manufacture of its newsprint, a commodity that is now manufactured mostly with virgin timber.
  • The Harlem Rail Yard, an abandoned industrial facility in an out-of-use rail yard, will serve as the site of the mill. An additional goal of the project is to redevelop the rails, which will then serve as a transportation corridor for materials to and from the facility.
  • The project will pioneer the use of water from a reclaimed sewage wastewater treatment plant, keeping water costs one-third lower than comparable fresh water.
  • A comprehensive air study of the South Bronx was initiated to ensure technologies will be implemented to reduce to the greatest extent possible all emissions from the facility.
  • The project will incorporate innovative energy-efficient technologies not implemented in any other paper mill in the country.
  • The mill will utilize a chlorine-free de-inking technology that produces no air emissions or odors.
  • Maya Lin, designer of the National Vietnam Memorial in Washington, DC, will design the facility’s layout and structure.

Banana Kelly was founded in 1977 when thirty residents gathered to stop the demolition of their homes along Kelly Street, a crescent shaped block in the heart of the Longwood/Hunts Point neighborhood of the South Bronx. Without support, tools, money, title to the property, they succeeded in rehabilitating the buildings and in creating 21 units of high-quality affordable housing. The activists formed the Banana Kelly Community Improvement Association, Inc. to continue the work that they had started. Since 1978, the organization has rehabilitated, weatherized, and managed thousands of housing units, provided service referral and housing advocacy, conducted education and job training, and attracted the first new health care clinic in the community in 22 years.

Revenue from the Bronx Community Paper Company was to fund other community development projects in the neighborhood, including:

  • The Bronx Dormitory Project. A joint venture between Banana Kelly and Bronx Regional High School that will provide shelter for up to 20 students attending the high school who do not have stable living arrangements.
  • The South Bronx Family Learning Center. A proposed 35,000-square-foot center that will include health care, child care, literacy classes, employment and training centers and housing opportunities.
  • The Prospect Corridor Commercial Development Project. This project will promote local economic development by connecting existing and planned residences with a retail strip on Prospect Avenue.
  • The Library Project. A project to increase the availability of library services in the South Bronx by providing additional equipment, supplies and materials to local libraries.
  • Business and Housing Revolving Loan Fund. This project will provide a pool of working capital to be used by small entrepreneurs to purchase inventory, equipment or supplies to meet their contractual obligations and expansion needs. The fund will concentrate its services on housing groups that require basic repairs or replacement of major systems in their buildings.
  • The Children’s Endowment Fund. To be administered by Banana Kelly, this fund will enhance and expand the educational and vocational opportunities available to children.


But by 2000 the project had folded.


From The New York Times, August 17, 2003

‘Bronx Ecology’: Green, Rocky Road

Proposed factory design for the Bronx Community Paper Company“In 1992, Allen Hershkowitz, a senior scientist with the Natural Resources Defense Council, proposed building a paper mill in the South Bronx. It would harvest the immense amount of wastepaper (used newspapers, junk mail, office detritus) New York City generates each day, recycle it into newsprint using ecologically sound methods and sell the product to local consumers, notably newspapers. Such a mill would address two city woes: the continuing slump, particularly severe in places — like the South Bronx — long dependent on the shrinking manufacturing sector (joblessness there hovered around 20 percent, 50 percent for teenagers); and the loss of traditional outlets for the city’s waste stream (ocean dumping, hauling to putrid landfills and burning in dioxin-spewing plants).

More grandly, Hershkowitz’s Bronx Community Paper Company would serve as a world-class demonstration project. He wanted to prove the viability of green capitalism — a marriage of economic development and environmental remediation+- to a host of unbelievers in the business world and the environmental movement, who were locked (he believed) in unnecessary combat. Hershkowitz knew the city presented a host of special obstacles to eco-industrialists, but if a mill like this could make it here, he reasoned, it could make it anywhere. He came amazingly close to pulling it off, as ‘Bronx Ecology,’ by Hershkowitz himself, and ‘Tilting at Mills,’ by Lis Harris, for many years a staff writer at The New Yorker, show.

To guarantee good relations with the plant’s neighbors, Hershkowitz found a local sponsor in Banana Kelly, one of the community development corporations that had sprung up in the 70’s, and vested ownership in it. Determined to resuscitate urban brownfields (polluted and abandoned industrial sites), the paper company settled on the derelict Harlem River Rail Yard. And to transform what others saw as waste into valuable raw material — a key precept of the sustainable economy movement — he insisted the mill use recycled water from a nearby sewage treatment plant instead of river water.

Hershkowitz found a receptive Swedish paper company, and with a corporate anchor secured, investment bankers came on board, as did construction companies and engineers. He got Maya Lin, the architect of the Vietnam Veterans Memorial, to design a striking complex. The Natural Resources Defense Council put up seed money and helped clear regulatory hurdles. A bevy of foundations gave predevelopment grants. The state offered loan guarantees and helped with cleanup costs, and the city’s economic development arm provided expertise. On paper, it looked like a half-billion dollar enterprise was taking off.

Almost immediately it slammed into problems.

Businessmen’s support proved fickle: from their perspective Hershkowitz had overburdened the project with costly, time-consuming and risky furbelows on behalf of extraneous, if not alien, social and ecological goals. Worse, when the Swedish firm withdrew (new management wanted to concentrate on European ventures) it proved impossible to find another big paper company, the kind Wall Street would approve (one potential replacement declined after calculating it could clear more than 30 percent in the Bronx, but 40 percent in South Korea). Besides, in the 90’s boom, higher profits were available outside the industry altogether, in tech stocks or hedge funds. After 1992, moreover, the supply of newsprint outran demand, so producers began consolidating; the last thing they wanted was a new plant online.

And there were local competitors. In 1995, an Australian company built a recycling mill on Staten Island and won the right to process up to 50 percent of the city’s wastepaper. Though not in direct competition — it produced liner board (used, for example, for shoe boxes), not newsprint — it lobbied hard against any municipal deal with Hershkowitz, just in case one day it might want the remainder. Also opposing the Bronx project were commercial carters linked to the mob, and waste haulers whose profits were linked to exporting the trash, including giant multinational corporations like Waste Management , whose campaign contributions gave them considerable clout at City Hall. Mayor Rudolph Giuliani was already predisposed against the project because the Bronx was the domain of a rival, Fernando Ferrer, though in fact Ferrer too was an opponent, miffed he hadn’t been allowed to pick the participating community groups.

Some of Hershkowitz’s biggest headaches came from his presumed community ally, whose new leadership proved undependable. Other community groups were also on the attack, some because the building trades refused to give construction jobs to neighborhood people, others because they wanted a slice of the development pie. (Once he was told that $70,000 would make his problems go away; when he refused to come across, Hershkowitz says, it was publicly implied that the plant was environmentally genocidal.)

Despite all this, Hershkowitz and the project plowed on, year after year, nimbly escaping one crisis only to tumble into another. Finally, just after having found a large construction company willing to undertake the project, the backers were sued by a rival construction firm (a common way to grab a piece of the action). Now the Natural Resources Defense Council itself wanted out, and its employee off the case. The paper company was handed over to the contractor-developer in 1999 and struggled on one more year before Giuliani pulled the plug....

The real question is how useful his blueprint for a greener future really is. Here, it seems to me, Hershkowitz pulls back from confronting the implications of what he’s laid out, particularly the key question of who exactly might be the agent to make his vision real. It’s clearly not the corporate world: ‘green capitalism’ stands revealed as a patent oxymoron. He urges environmentalists to step forward, but there’s no sign that major environmental groups will soon venture again into eco-industrial waters (certainly not if they read ‘Bronx Ecology’). As for labor, union pension fund managers proved even more conservative than investment bankers.

Hershkowitz comes closest to the mark when he wonders if the state might not expand its role, either building green projects as public works or committing public capital as lead investor. Certainly — pace current free-market pieties — government is capable of ambitious enterprise, viz. the Manhattan Project, the the space program, the Internet and the New Deal. Moreover, putatively private industries (notably pulp and paper, petroleum and highway construction) are, Hershkowitz reminds us, heavily subsidized by various levels of government. Why not be transparent about public investment, and establish a federal development bank like, but better than, the Reconstruction Finance Corporation that underwrote much of the New Deal and World War II? That might yet make Hershkowitz’s bold blueprint a reality.”


The Bronx Community Paper Company may be dead for now, but near by, in Hunt’s Point, a plastics recycling plant is just being planned.

>  4 September 2003 | LINK | Filed in , , , ,

Olive Branch

Olive Tree“In Israel, a forest of 6 million trees is being planted in the Judean hills between Jerusalem and Tel Aviv, in the words of B’nai B’rith, ‘as a living memorial to the six million Jews who perished in the Holocaust.’ Begun in 1954, this planting clearly takes on several layers of practical and symbolic meaning in Israel: it remembers both the martyrs of Nazi genocide and a return to life itself as cultivated in the founding of the State. Rather than remembering the victims in the emblems of destruction left behind by the Nazis, thereby succumbing to the Nazi cult of death, these trees recall both the lives lost and the affirmation of life itself as the surest memorial antidote to murder. It was also with this traditional veneration of life in mind, as symbolized in Jewish tradition by the Etz Chaim (tree of life), that Yad Vashem has planted a tree to remember and to name every single Gentile who rescued a Jew during World War II.” [source]

......

“Israel’s Defence Ministry is investigating reports that Palestinian olive trees uprooted to make way for a security fence are being sold illegally to rich Israelis and town councils, sometimes for thousands of pounds each.

The illegal trade in olive trees has flourished as Israeli contractors, supported by armed guards, clear Palestinian agricultural land where an 80-mile electronic fence is being built to seal off the West Bank.

Thousands of olive trees have been dug up to make way for the 150-ft wide barrier and security zone. Its route usually passes inside Palestinian territory, not along the old pre-1967 border, and thousands of Palestinian farmers say their livelihood is being taken away.

Sale of the olive trees emerged after the owner of a contracting company offered two reporters from a popular Israeli newspaper, Yedioth Ahronoth, 100 large olive trees for £150 each.

The reporters found one enormous tree, said to be 600 years old, on sale at an Israeli plant nursery for £3,500. They said the trade was conducted with the complicity of an official in the civil administration, the Israeli military government in the occupied territories....

Olives are the lifeblood of Palestinian agriculture, almost the only crop which grows on the stony hillsides of the West Bank without irrigation. Most Palestinians are unemployed after two years of violence and their staple diet is bread and olive oil.

About 11,000 Palestinian farmers will lose all or some of their land holdings to the fence. Sharif Omar, from the village of Jayous, near the Israeli town of Kochav Yair, said: ‘I have lost almost everything. I have lost 2,700 fruit and olive trees. And 44 of 50 acres I own have been confiscated for the fence.’

His village lost seven wells, 15,000 olive trees and 50,000 citrus and other fruit trees. ‘This area is the agricultural store for the West Bank. They are destroying us,’ he said.” [source]

>  23 August 2003 | LINK | Filed in , , , ,

What is Universal Design?

I was working on an item on Universal Design and realized that I hadn’t actually defined what I was talking about. So from the man who coined the phrase:

“Universal design is the design of products and environments to be usable by all people, to the greatest extent possible, without the need for adaptation or specialized design.”
— Ron Mace, founder and program director of The Center for Universal Design

Universal design has its roots in demographic, legislative, economic, and social changes among older adults and people with disabilities after World War II.

Here are some general principles for the evaluation of universal design from the Center for Universal Design. These were drafted in 1997 and refer to design in the physical world, though could be applied broadly to electronic interface design.

  1. Equitable Use
    The design is useful and marketable to people with diverse abilities.
    1. Provide the same means of use for all users: identical whenever possible; equivalent when not.
    2. Avoid segregating or stigmatizing any users.
    3. Provisions for privacy, security, and safety should be equally available to all users.
    4. Make the design appealing to all users.

  2. Flexibility in Use
    The design accommodates a wide range of individual preferences and abilities.
    1. Provide choice in methods of use.
    2. Accommodate right- or left-handed access and use.
    3. Facilitate the user’s accuracy and precision.
    4. Provide adaptability to the user’s pace.

  3. Simple and Intuitive Use
    Use of the design is easy to understand, regardless of the user’s experience, knowledge, language skills, or current concentration level.
    1. Eliminate unnecessary complexity.
    2. Be consistent with user expectations and intuition.
    3. Accommodate a wide range of literacy and language skills.
    4. Arrange information consistent with its importance.
    5. Provide effective prompting and feedback during and after task completion.

  4. Perceptible Information
    The design communicates necessary information effectively to the user, regardless of ambient conditions or the user’s sensory abilities.
    1. Use different modes (pictorial, verbal, tactile) for redundant presentation of essential information.
    2. Provide adequate contrast between essential information and its surroundings.
    3. Maximize “legibility” of essential information.
    4. Differentiate elements in ways that can be described (i.e., make it easy to give instructions or directions).
    5. Provide compatibility with a variety of techniques or devices used by people with sensory limitations.

  5. Tolerance for Error
    The design minimizes hazards and the adverse consequences of accidental or unintended actions.
    1. Arrange elements to minimize hazards and errors: most used elements, most accessible; hazardous elements eliminated, isolated, or shielded.
    2. Provide warnings of hazards and errors.
    3. Provide fail safe features.
    4. Discourage unconscious action in tasks that require vigilance.

  6. Low Physical Effort
    The design can be used efficiently and comfortably and with a minimum of fatigue.
    1. Allow user to maintain a neutral body position.
    2. Use reasonable operating forces.
    3. Minimize repetitive actions.
    4. Minimize sustained physical effort.

  7. Size and Space for Approach and Use
    Appropriate size and space is provided for approach, reach, manipulation, and use regardless of user’s body size, posture, or mobility.
    1. Provide a clear line of sight to important elements for any seated or standing user.
    2. Make reach to all components comfortable for any seated or standing user.
    3. Accommodate variations in hand and grip size.
    4. Provide adequate space for the use of assistive devices or personal assistance.

“Please note that the Principles of Universal Design address only universally usable design, while the practice of design involves more than consideration for usability. Designers must also incorporate other considerations such as economic, engineering, cultural, gender, and environmental concerns in their design processes. These Principles offer designers guidance to better integrate features that meet the needs of as many users as possible.”


In 1998, Ron Mace delivered his final public speech at the first international conference on universal design. He discussed the differences between assistive technology, barrier-free and universal design:

Barrier-free design is what we used to call the issue of access. It is predominantly a disability-focused movement. Removing architectural barriers through the building codes and regulations is barrier-free design. The [Americans with Disabilities Act] Standards are barrier-free design because they focus on disability and accommodating people with disabilities in the environment. In fact, the ADA is the now the issue of access in this country.

So, what is the difference between barrier-free and universal? ADA is the law, but the accessibility part, the barrier-free design part, is only a portion of that law. This part, however, is the most significant one for design because it mandates what we can do and facilitates the promotion of universal design. But, it is important to realize and remember that ADA is not universal design. I hear people mixing it up, referring to ADA and universal design as one in the same. This is not true.

Universal design broadly defines the user. It’s a consumer market driven issue. Its focus is not specifically on people with disabilities, but all people. It actually assumes the idea, that everybody has a disability and I feel strongly that that’s the case. We all become disabled as we age and lose ability, whether we want to admit it or not. It is negative in our society to say “I am disabled” or “I am old.” We tend to discount people who are less than what we popularly consider to be “normal.” To be “normal” is to be perfect, capable, competent, and independent. Unfortunately, designers in our society also mistakenly assume that everyone fits this definition of “normal.” This just is not the case.

Assistive technology to me is really personal use devices—those things focused on the individual—things that compensate or help one function with a disability. Many of you wear eyeglasses because you have limited sight. The assistive technology is your eyeglasses. We could legitimately say that everybody who wears eyeglasses has a disability.”


This is a good starting point, but I read in these principles a disconnect between designer and user. The user is not a part of the design process except as an object of measurement — a consumer rather than a participant. If universal design is intended to be usable by all people without the need for adaptation or specialized design, a more participatory and inclusive design process seems to be one useful way of achieving this. I’ve not yet found a handy list of such principles for the development of universal design.

Also as noted in the conclusion to the principles, these focus on physical interaction and do not address the physical life span of the design or its existence in the broader cultural world. Usability through degradation and reuse fall partially under “sustainable design.” The cultural context, though, surely shapes legibility, user assumptions, and what is considered normative just as much as the physical context.

As Mark Robbins, former NEA Design Director, said on the promotion of universal design principles:

“Central to universal design is a developing awareness of difference that questions normative standards. The sense of what is the norm needs to change.”

Simply put, underlying the principles of interaction listed above is another basic principle. From Leslie Weisman:

“Architects and planners have traditionally defined the ‘user,’ or the ‘public’ in the case of urban planning, in very narrow terms. Rather than recognizing the vast array of ages, cultures, and lifestyles that use buildings and public spaces and that actually exist in communities, architecture and planning theory has been based on a conception of the ‘user/citizen’ that is inherently masculine, and a ‘public’ that tends to be made up of middle-class white people living in nuclear families. So when architects and planners attend to the provision of housing, transportation, and community services, they have tended to design and plan for only a small segment of the population, thereby creating many problems for the ever-increasing numbers of people who do not fit into this assumed definition and life pattern.”

Universal design is vehicle for promoting social equality and justice, environmental sustainability, and human health and well-being. This is as not just design for equal use, but for unemcumberbed participation in everyday life, and in public life. This is design for democrcacy.

>  19 August 2003 | LINK | Filed in , , , ,

Gaviotas

Gaviotas

In 1965 Paulo Lugari was flying over the impoverished Llanos Orientales, the “eastern plains” that border Venezuela. The soil of the Llanos is tough and acidic, some of the worst in Colombia. Lugari mused that if people could live here they could live anywhere.

The following year Lugari and a group of scientists, artists, agronomists and engineers took the 15-hour journey along a tortuous route from Bogota to the Llanos Orientales to settle. The local population, including the indigenous Guahibo people, familiar with the political terror and violence of the ‘white man,’ were naturally suspicious.

Nearly 40 years later, while war rages across Colombia with the help of U.S. funds, equipment, and training, the 200 residents of Gaviotas, including farmers, scientists, artists, and former street kids, have created a thriving village and environmental research center in Vichada in Los Llanos.

“Gaviotas is named after a bird that enlivens the rivers at dusk.” [source]


“They have planted millions of trees, thus regenerating an indigenous rainforest. They farm organically and use wind and solar power. Every family enjoys free housing, community meals, and schooling. There are no weapons, no police, no jail. There is no mayor.” [source]

“Gaviotas provided a chance to plan a tropical civilization from the ground up, instead of depending on technologies developed for northern climates. ‘When we import solutions from the US or Europe,’ said Lugari, founder of Gaviotas, ‘we also import their problems.’

Over the years Gaviotas technicians have installed thousands of the windmills across Colombia - in some places gaviotas is the local word for windmill.”

Around 58 types of windmill were tried and tested before the pioneers came up with determined that the distinctive ‘sunflower’ design functioned best in the plains.

Gaviotas“Since Gaviotas refuses to patent inventions, preferring to share them freely, the design has been copied from Central America to Chile.

Electricity comes from a low-head turbine powered by a stream, except in the short dry season, when it is backed up by a diesel generator. ‘In 24 years we’ve learned to cover 70 percent of our food and energy needs,’ says Gonalo Bernal, administrator of Gaviotas. ‘The trees we plant more than compensate for any greenhouse gases we emit. Imagine if the rest of the world lived like us.’

Gaviotas began as a collection of researchers, students, and laborers sharing vehicles, bedding, dishes, clothes - and decisions. In time several of their families joined them and a permanent colony with individual houses emerged. Government was by consensus and unwritten rules. To limit public disorder, alcohol is confined to homes. To preserve wildlife, dogs and guns are banished. A need for police, jail, or door locks has never arisen. Anyone who violates protocol, like a storekeeper who recently admitted to overcharging, is ostracized by the community until his debt is paid. Loafers aren’t tolerated, but with wages above the Colombian minimum wage, plus free meals, medical care, schools, and housing, loafing isn’t a problem.

A techno-tour of the llanos shows how Gaviotas has revolutionized life here. The most significant invention is a simple hand pump capable of tapping aquifers six times deeper than conventional models, but requiring so little effort that children can operate it. In normal pumps a heavy piston must be raised and lowered inside a pipe. Gaviotas engineers realized they could do the reverse; leave the piston stationary and lift an outer sleeve of lightweight, inexpensive PVC tubing instead.”

See-saw pump“In the open-air Gaviotas preschool, the children’s see-saw is actually a pump in disguise. As they rise and descend, water gushes from a vertical pipe into an open cement tank. Over the years Gaviotas technicians have installed these in thousands of school yards, using kid power to provide villages with clean water. This simple, inexpensive pump has revolutionised rural life across Colombia for people who used to haul their water in buckets from muddy tropical rivers.” [source]

“At a windmill-fed cattle trough, surrounded by a sloping cement floor, cowboys have just brought several thirsty calves. As they drink, their dung slides down the slope into a gutter, which sluices it to an enclosed anaerobic fermentation tank, where the cow-pie slurry turns into compost and methane.

The methane flows through pipes to the 16-bed Gaviotas hospital, which a Japanese architectural journal has named one of the 40 most important buildings in the world. It is at once both futuristic and ancient, a maze of angles formed by white walls, glass awnings, skylights, brushed steel columns, and exposed supports trimmed in blue and yellow enamel. The interior is cooled with underground ducts whose hillside intakes face the prevailing breeze. Opposing layers of corrugated roofing create a series of air channels that further bleed away the heat. The combined effect is cost-free, maintenance-free air conditioning. Solar collectors on the roof alternately heat, boil, and distill water. Electricity is from solar photovoltaic cells.

The only hospital within a 12-hour radius, it serves all comers, including both guerrilla and army forces battling in the area. ‘The rule here is never to ask,’ says Bernal. ‘Like the Red Cross, everybody respects us.’

A short, vine-covered walkway connects the Gaviotas hospital to the maloks, a separate wing built by the local Guahivo Indians. Instead of beds, patients and their families lie in hammocks hung from wooden beams under a great thatch roof. Relatives of the sick tend crops of tomatoes, lettuce, and onions in an adjacent hydroponic greenhouse.

If the National University’s pharmacology department and the Guahivo shamans have their way, this greenhouse will one day become the finest medical plant laboratory in the tropics. But money is a critical factor, and Colombia’s expanding, government-owned oil and gas industry has dampened Gaviotas’ solar collector sales by blocking tax benefits for investing in alternative energy. At Gaviotas windmillthe same time revenue from windmills and pumps dropped as Colombian agriculture was battered by an unexpected onslaught of cheap imported foods, the fallout of new free trade policies.

So Gaviotas has decided to scale down its manufacturing. But no one is getting laid off. ‘Gaviotas isn’t a company,’ Lugari says, ‘we’re a community. In fact the solution means that both employment and Gaviotas will grow.’

The solution is the nearly 20,000 forested acres. In the past 12 years, Gaviotas has planted 1.6 million Caribbean pines (after finding that no indigenous tree would grow on the prairie). To the surprise of foresters, Gaviotans chose not to cut their standing timber. Instead they are converting their windmill factory to process pine resin. Colombia spends $4 million annually to import such resins for the manufacture of paint, turpentine, and paper. Armed with that fact, Lugari persuaded the Japanese government to provide the seed money, via a grant through the Interamerican Development Bank, to begin tapping and processing resin for the domestic market.” [source]

Since the above was written in 1995, the community no longer purhcases diesel fuel and is now totally energy independent. They generate power with turbine engines fueled by the resin of the Carribean pine trees in their forest. These pines are being slowly crowded out by the regeneration of indigenous rainforest. [source]

Other inventions include:

  • a high pressure solar cooker
  • methane burners
  • hot-water solar panels
  • parabolic solar grain driers
  • self-cooling rooftops
  • cooling wind corridors
  • corkscrewing manual well digger
  • variety of highly efficient and durable windmills
  • specialized bicycle for the Llanos
  • pedal powered cassava grinder (10 hours work done in 1 hour)
  • rotating drum peanut sheller
  • ox-drawn land graders
  • one-handed sugarcane press

Gaviotas engineers also designed a solar kettle for the hospital. According to engineer Jaime Dávila, “the principle begins with an old country custom: boil water one day to drink the next, after it cools.” Dávila’s goal was an inexpensive solar-operated system that would give unlimited boiled drinking water, already cooled to room temperature, straight from a tap any time of day, and would work under cloudy skies. The kettle took six years to perfect. It combines solar panels, storage tanks, an efficient heat exchanger, a bit of distillation and a spigot — which you turn to draw off potable water.[source]

See some renderings of their solar collectors, solar oven, and wind-powered musical organ.

>  9 August 2003 | LINK | Filed in , , , , , , , ,



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